Decorative plaster is a broad term that includes many techniques, while Venetian plaster is a specific type of decorative plaster made from slaked lime and marble dust. Venetian plaster is known for its smooth, polished, and marble-like appearance, while other decorative plasters can have a wider range of textures and finishes.

“Italian stucco” and “Venetian plaster” are often used interchangeably, but “stucco” is a broader Italian term for plaster. Venetian plaster, or “Stucco Veneziano,” is a specific type of fine Italian stucco that is highly polished to create a signature, luxurious finish with depth and luminosity.

While often grouped together, Marmorino is a type of Venetian plaster. The key difference is the texture. Traditional Venetian plaster is prized for its high-gloss, glass-like finish, while Marmorino plaster contains a higher ratio of crushed marble dust, which gives it a more subtle, stone-like texture and a softer, satin sheen.

When properly applied by a skilled artisan and sealed, decorative plaster walls are extremely durable and long-lasting. They are resistant to chipping and fading and can withstand the test of time, making them a great investment for both residential and commercial spaces.

When properly applied by a skilled artisan and sealed, decorative plaster walls are extremely durable and long-lasting. They are resistant to chipping and fading and can withstand the test of time, making them a great investment for both residential and commercial spaces.

Yes. When a waterproof sealer is applied, Venetian plaster can be used effectively on walls in bathrooms, kitchens, and other high-moisture areas. Its seamless, grout-free finish is not only beautiful but also resistant to mold and mildew.

Yes. While we are based in Toronto, our team is available to travel for large-scale and specialized projects. We serve clients in major markets, including Vancouver, California, Florida, and Texas.

Cost depends on wall condition and preparation, the selected finish system, colour development and samples, total area, access, architectural details, and whether the scope includes walls, ceilings, fireplaces, or a range hood. A project review makes it possible to define these factors clearly.

Sometimes, if the existing coating is sound and compatible with the selected system. The surface should be assessed for adhesion, sheen, contamination, repairs, texture, and moisture before preparation and primer are specified.

Samples should be reviewed on the intended substrate and in the actual room lighting. The approved sample should identify the finish system, colour direction, sheen, movement, and any protective treatment so the project team has a shared reference.

Identify the selected system, colour reference, sheen, approved sample, substrate preparation, coating sequence, protection where applicable, and the treatment of edges, reveals, transitions, and adjacent materials.

A repair may be possible, but a seamless result depends on the finish, colour, sheen, texture, the surrounding surface, and the age of the installation. The appropriate approach is assessed after reviewing the affected area.